
Region:Middle East
Author(s):Vijay Kumar
Product Code:KROD4839
December 2024
91

By Service Type: The KSA music streaming market is segmented by service type into audio streaming, video streaming, podcasts, and live streaming of concerts and events. In recent years, audio streaming has held a dominant market share within this segment, attributed to its convenience and availability of localized Arabic music, which resonates well with the local audience. Platforms such as Anghami and Spotify have strengthened their presence by offering a diverse array of playlists tailored to the regions preferences.

By Revenue Model: The market is segmented by revenue models into subscription-based services, ad-supported streaming, and pay-per-view models. Subscription-based services hold the majority market share due to the increasing number of consumers opting for premium, ad-free experiences. Telecom partnerships that offer subscription bundles, along with exclusive access to regional and international content, have further driven the growth of this model.

The KSA music streaming market is dominated by a mix of regional and international players, offering both localized content and globally popular music. The top players leverage strong partnerships with record labels and telecom operators to enhance user acquisition and retention. The competitive landscape shows a high degree of consolidation, with players focusing on exclusivity deals, content acquisition, and value-added services to capture market share.

The KSA music streaming market is expected to witness substantial growth in the coming years. Factors contributing to this growth include the increasing penetration of smartphones, expanding high-speed internet infrastructure, and growing interest in locally curated Arabic content. Additionally, strategic partnerships between music streaming platforms and telecommunications companies are likely to continue driving user acquisition and retention, further expanding the market's reach.
|
Service Type |
Audio Streaming Video Streaming Podcasts Live Streaming (Concerts, Events) |
|
Revenue Model |
Subscription-Based Ad-Supported Streaming Pay-Per-View Models |
|
Platform |
Mobile, Desktop/Web-Based Smart Devices (Smart TVs, Wearables, Voice Assistants) |
|
Content Type |
Local Arabic Content International Content Genre-Specific Content (Pop, Rock, Classical, Indie) |
|
Region |
Riyadh Jeddah Dammam Other Regions |
1.1 Definition and Scope
1.2 Market Taxonomy
1.3 Market Growth Rate
1.4 Market Segmentation Overview
2.1 Historical Market Size
2.2 Year-On-Year Growth Analysis
2.3 Key Market Developments and Milestones
3.1 Growth Drivers
3.1.1 High Smartphone Penetration
3.1.2 Increasing Internet Usage (Including Mobile Data Consumption)
3.1.3 Rising Youth Population
3.1.4 Localized Music Content and Arabic Content Demand
3.1.5 Digital Transformation and Smart Devices Adoption
3.2 Market Challenges
3.2.1 Royalty Costs and Licensing Restrictions
3.2.2 Piracy and Content Distribution Challenges
3.2.3 Cultural and Regulatory Restrictions
3.3 Opportunities
3.3.1 Monetization of Regional Content
3.3.2 Strategic Partnerships with Telecom Providers
3.3.3 Subscription Growth Potential (Ad-supported & Premium)
3.3.4 Expanding Collaborations with Global Artists
3.4 Trends
3.4.1 Rise of Arabic Indie Music and Independent Artists
3.4.2 Growing Popularity of Video Streaming in Music Apps
3.4.3 Podcasts and Audio-Based Content Proliferation
3.4.4 Exclusive Content and Artist Collaborations
3.5 Regulatory Landscape (Local Licensing Requirements and Content Censorship)
3.5.1 Saudi Ministry of Media Guidelines
3.5.2 Music Licensing Laws (General Authority for Audio-Visual Media)
3.5.3 Cultural Sensitivity Compliance
3.5.4 Intellectual Property Laws
3.6 SWOT Analysis (Strengths, Weaknesses, Opportunities, and Threats)
3.7 Stake Ecosystem
3.7.1 Role of Labels (Major and Indie Labels)
3.7.2 Distribution Channels (Telecom, Platforms, Social Media)
3.7.3 Artists and Influencers in the Local Scene
3.8 Porters Five Forces (Competitive Rivalry, Supplier Power, Buyer Power, Threat of New Entrants, Threat of Substitutes)
3.9 Competition Ecosystem
3.9.1 Strategic Alliances and Industry Collaborations
3.9.2 Distribution Network Expansion
4.1 By Service Type (In Value %)
4.1.1 Audio Streaming
4.1.2 Video Streaming
4.1.3 Podcasts
4.1.4 Live Streaming (Concerts, Events)
4.2 By Revenue Model (In Value %)
4.2.1 Subscription-Based
4.2.2 Ad-Supported Streaming
4.2.3 Pay-Per-View Models
4.3 By Platform (In Value %)
4.3.1 Mobile
4.3.2 Desktop/Web-Based
4.3.3 Smart Devices (Smart TVs, Wearables, Voice Assistants)
4.4 By Content Type (In Value %)
4.4.1 Local Arabic Content
4.4.2 International Content
4.4.3 Genre-Specific Content (Pop, Rock, Classical, Indie)
4.5 By Region (In Value %)
4.5.1 Riyadh
4.5.2 Jeddah
4.5.3 Dammam
4.5.4 Other Regions
5.1 Detailed Profiles of Major Competitors
5.1.1 Anghami
5.1.2 Spotify
5.1.3 Apple Music
5.1.4 YouTube Music
5.1.5 Deezer
5.1.6 SoundCloud
5.1.7 Huawei Music
5.1.8 Joox
5.1.9 TIDAL
5.1.10 Amazon Music
5.1.11 Qanawat Music
5.1.12 Rotana Music
5.1.13 Shaheen Records
5.1.14 Smule
5.1.15 Gaana
5.2 Cross Comparison Parameters (Market-Specific Metrics: Active Users, Subscriber Growth Rate, Monthly Active Listeners, Localized Content Availability, Partnerships with Telecoms, Average Revenue Per User (ARPU), Music Licensing Agreements, Device Integration)
5.3 Market Share Analysis
5.4 Strategic Initiatives
5.5 Mergers And Acquisitions
5.6 Investment Analysis
5.7 Venture Capital Funding
5.8 Government Grants
5.9 Private Equity Investments
6.1 Content Regulations and Licensing
6.2 Compliance with Local Cultural and Religious Norms
6.3 Royalty Management and Distribution Regulations
6.4 Telecommunications and Data Usage Policies
7.1 Future Market Size Projections
7.2 Key Factors Driving Future Market Growth
8.1 By Service Type (In Value %)
8.2 By Revenue Model (In Value %)
8.3 By Platform (In Value %)
8.4 By Content Type (In Value %)
8.5 By Region (In Value %)
9.1 TAM/SAM/SOM Analysis
9.2 Customer Cohort Analysis
9.3 Marketing Initiatives
9.4 White Space Opportunity Analysis
Disclaimer Contact UsThe first phase of the research involved identifying critical market variables such as user penetration, ARPU, content preferences, and telecom partnerships. Secondary research was conducted to gather comprehensive data from proprietary databases and industry reports.
Historical market data was analyzed to construct the market's current size, assessing user acquisition trends, subscription growth, and the impact of telecom bundles on market share. The analysis provided insights into both service provider performance and consumer behavior.
Primary research was conducted through interviews with executives from major streaming platforms and local music labels. This allowed for validation of the hypotheses related to revenue growth drivers and consumer engagement with local content.
The research findings were synthesized to form a comprehensive view of the market. Collaboration with industry experts allowed for further validation of data and projections, ensuring an accurate representation of market dynamics.
The KSA Music Streaming market is valued at USD 113 million, based on a five-year historical analysis. This market is primarily driven by the rapid growth in mobile internet usage, the increasing popularity of smartphones, and the rising demand for localized Arabic music content.
Challenges in the market include high royalty costs, content piracy, and regulatory restrictions on certain types of music content due to cultural sensitivities.
Key players in the market include Anghami, Spotify, Apple Music, YouTube Music, and Deezer. These companies dominate due to strategic telecom partnerships and a focus on localized content.
The market is driven by increasing smartphone penetration, expanding high-speed internet, and the rising demand for Arabic content. Partnerships with telecom companies also contribute to market growth.
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